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Greetings. Welcome back.

I was about to start a new post for the Chapter 9 review of Awakening to Shamanism, when I decided to post a bit more on sound. Chapter 8, Working with Sound and Light, inspired some connections this last week when I attended class on Wednesday evening. I’m now, happily, participating in a 10 week course entitled Runes 110, at the Points of Light bookstore in Long Beach. I mentioned this class a few weeks to a month or so back because one of our friends, Christopher Lung, is teaching it.

First week was refreshing, interesting and entertaining. I honestly didn’t realize the depth of history that the Runes carry, nor did I realize the span of years that they had existed. History can become boring to me but fortunately the topic is within the realm of “more than interesting” and Christopher is an entertaining, and informed, educator.

It takes me over an hour to get to Long Beach during traffic hour but it’s worth the commute.

This last Wednesday we did some Runic breathing and chanting, and this is why the class corresponded to the Chapter 8 topic.

Singing, chanting, and toning have been used throughout history in ritual and ceremony. It’s a powerful tool socially, brining us together in a common voice and cause, and in my opinion an important part of magickal work. No I don’t sing like Whitney (used to), or chant like a Tibetan Monk. I’ve had my moments of singing in tongues and of course there is always the use of vibration with magickal symbols, like the sacred Reiki Symbols, when healing… I must be silly, I wasn’t connecting the dots.

Chanting the names of the Runes, while visualizing them, in a group was “neat”. More than neat, the resonating with the Runes in carried voices was intense. OK. I’m solitaire for the most part. I have worked with others over the years on many occasions. I’ve been part of countless classes, lectures, and workshops, but raising our voices in vibrating unison was AMAZE-BALLS!

We worked on 4 Runes:

f Feoh / u Uruz / th,þ Thurisaz / a Os

The primal powers of the Runic alphabet, up and to the point of the point of consciousness (Odin / Os). We chanted each rune nine times. At points I felt like the power of my voice was raising up a little too loud but I let myself enjoy the experience. I may not sing very well but I do have some powerful lungs. *smile*

This got the hamsters spinning the wheel in my head. The power of the Rune was intensified by breath and sound, the same way that I empower the Reiki symbols (Cho Ku Rei, etc).

With Reiki symbols I use the following technique.

Reiki Gong: Technique’s in Reiki Practice

(Previously mentioned in the entry, Reiki-Gong).

Practice with Cho Ku Rei

As with the Violet Breath exercise, tongue to top of mouth, breath in circularly. Allow the energy to flow through nose and down the energetic paths of the chakra. Instead of cycling the energy down through the root chakra and up the back of the spine, breath it into your second chakra, just below or about your navel. Fill that area up with the energy, a golden light.

Next we will draw the symbol.

Draw the golden light up from this Chakra, our center, and out the arms to the palms of the hands and with your dominant hand, draw the Reiki Symbol, in this case the Choku Rei. Imagine it as a golden symbol. The seven and the spiral.

Place this symbol into that which you are sending Reiki. Hold the symbol as if you were holding a dish, about the size of a dinner place and gently feel it descend into the client or object. Gently move it about until you feel some resistance. Gently push into that resistance until you feel it “click” into place.

Vibrate the CKR name three times. Say it aloud, draw it out, vibrate the name. Three times. Place your hands on the recipient / object and pass Reiki.

When you feel the Reiki complete, when the energy ebbs, gently withdraw the symbol and bring it back to your center, just around or below the naval and put the golden energy back into this place. Take your hands, palms flat to leave the hand chakras open, and push the symbol in. Breath into this center a few times.

Check out your results. Was it different? How?

I’ve practiced with this new technique on the three traditional Reiki Symbols. I have drawn the symbol large enough to fit a room and gently clicked it into place and vibrated the name and sat with the energy. I have used it on myself, on the crystal grid that surrounds my home and even in distance healing. For myself I’ve been pleasantly surprised each time at home much more effective the energy seems to flow.
Notes:

Why the center, the 2nd Chakra?

Because this is our Ki, our energy that we are using to draw a path, a channel for the Reiki energy to enter. Think of it like a straw or a catch for the Reiki energy.

Why do we lock it into place?

We do this because it sets a focal point for the symbol to recieve the energy. Drawing the Life Force Energy into place and purpose. Where it is needed and the effect of the symbol.

Why do we withdraw the symbol?

Because the gold light is our ki. It has been infused with Reiki and it will continue to empower your Reiki center over time. Consider this spot below the navel, the 2nd chakra, like a well of personal energy. it is replenished by the Reiki with each use. The more you practice this form of Reiki the stronger that center becomes.

Let me know your results. Try the SHK and the HSZSN as well.

If you are interested in that particular form of Reiki practice or would like to read more, visit the entry on Reiki Gong for more info and a link to the book / author who I learned the technique from.

I’m thinking that the next 8 weeks of class will be a whole lot of fun. I’m also feeling that my magickal practice just expanded in a new way and all it took was a big breath and a strong vibe.

Until next week.

– – –
Be well,

Scott K Smith
http://lifencompass.com

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Happy Friday. Here’s a little exercise for Reiki II practitioners that involves a new use of symbols that you may not be familiar with. I’ve been utilizing these techniques for a good 1/2 year now and with amazing results.

Shifting the energy in a room or environment, clearing and empowering herbs, stones, chakras and in general every aspect of my Reiki work has improved because of these suggestions by Walter Lubeck.

Try these exercises. They are considered ReikiGong, a combination of Reiki and KiGong exercises by Walter Lubeck. Note that some of these exercises may not make sense to some folks if they have not had similar or Reiki II training. If you are interested in Reiki training, I do one on one or couples training programs as well. 🙂

Practice with the Choku Rei

As with the Violet Breath exercise, tongue to top of mouth, breath in circularly. Allow the energy to flow through nose and down the energetic paths of the chakra. Instead of cycling the energy down through the root chakra and up the back of the spine, breath it into your second chakra, just below or about your navel. Fill that area up with the energy, a golden light.

Next we will draw the symbol.

Draw the golden light up from this Chakra, our center, and out the arms to the palms of the hands and with your dominant hand, draw the Reiki Symbol, in this case the Choku Rei. Imagine it as a golden symbol. The seven and the spiral.

Place this symbol into that which you are sending Reiki. Hold the symbol as if you were holding a dish, about the size of a dinner place and gently feel it descend into the client or object. Gently move it about until you feel some resistance. Gently push into that resistance until you feel it “click” into place.

Vibrate the CKR name three times. Say it aloud, draw it out, vibrate the name. Three times. Place your hands on the recipient / object and pass Reiki.

When you feel the Reiki complete, when the energy ebbs, gently withdraw the symbol and bring it back to your center, just around or below the navel and put the golden energy back into this place. Take your hands, palms flat to leave the hand chakras open, and push the symbol in. Breath into this center a few times.

Check out your results. Was it different? How?

I’ve practiced with this new technique on the three traditional Reiki Symbols. I have drawn the symbol large enough to fit a room and gently clicked it into place and vibrated the name and sat with the energy. I have used it on myself, on the crystal grid that surrounds my home and even in distance healing. For myself I’ve been pleasantly surprised each time at home much more effective the energy seems to flow.
Notes:

Why the center, the 2nd Chakra?

Because this is our Ki, our energy that we are using to draw a path, a channel for the Reiki energy to enter. Think of it like a straw or a catch for the Reiki energy.

Why do we lock it into place?

We do this because it sets a focal point for the symbol to recieve the energy. Drawing the Life Force Energy into place and purpose. Where it is needed and the effect of the symbol.

Why do we withdraw the symbol?

Because the gold light is our ki. It has been infused with Reiki and it will continue to empower your Reiki center over time. Consider this spot below the navel, the 2nd chakra, like a well of personal energy. it is replenished by the Reiki with each use. The more you practice this form of Reiki the stronger that center becomes.

Let me know your results. Try the SHK and the HSZSN as well.

********

If you are interested in more exercises and to get a greater insight into the history and actual translations, including the proper way to construct the Reiki Symbols. Information about Medicine Buddha and how the Buddhist Deities integrate with Reiki… and yes, even more, check out The Big Book of Reiki Symbols.

Buy (used) at Amazon.com

 

Be well,

Scott K Smith

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