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I would really like to have embedded this video because I am not sure that you can view it at facebook without being Chati’s friend…

Facebook | Videos Posted by Chati Coronel: Postcards from Infinity 1.

Painting by Chati Coronel. Film / Meditation by Edber Mamisao.

The wind does not discriminate between the mountain and the sand, between the trees or man. It is still. It is driving. It is our first breath in, our last breath exhaled.

This is beautiful.

*

Scott

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Greetings. Welcome back.

I was about to start a new post for the Chapter 9 review of Awakening to Shamanism, when I decided to post a bit more on sound. Chapter 8, Working with Sound and Light, inspired some connections this last week when I attended class on Wednesday evening. I’m now, happily, participating in a 10 week course entitled Runes 110, at the Points of Light bookstore in Long Beach. I mentioned this class a few weeks to a month or so back because one of our friends, Christopher Lung, is teaching it.

First week was refreshing, interesting and entertaining. I honestly didn’t realize the depth of history that the Runes carry, nor did I realize the span of years that they had existed. History can become boring to me but fortunately the topic is within the realm of “more than interesting” and Christopher is an entertaining, and informed, educator.

It takes me over an hour to get to Long Beach during traffic hour but it’s worth the commute.

This last Wednesday we did some Runic breathing and chanting, and this is why the class corresponded to the Chapter 8 topic.

Singing, chanting, and toning have been used throughout history in ritual and ceremony. It’s a powerful tool socially, brining us together in a common voice and cause, and in my opinion an important part of magickal work. No I don’t sing like Whitney (used to), or chant like a Tibetan Monk. I’ve had my moments of singing in tongues and of course there is always the use of vibration with magickal symbols, like the sacred Reiki Symbols, when healing… I must be silly, I wasn’t connecting the dots.

Chanting the names of the Runes, while visualizing them, in a group was “neat”. More than neat, the resonating with the Runes in carried voices was intense. OK. I’m solitaire for the most part. I have worked with others over the years on many occasions. I’ve been part of countless classes, lectures, and workshops, but raising our voices in vibrating unison was AMAZE-BALLS!

We worked on 4 Runes:

f Feoh / u Uruz / th,þ Thurisaz / a Os

The primal powers of the Runic alphabet, up and to the point of the point of consciousness (Odin / Os). We chanted each rune nine times. At points I felt like the power of my voice was raising up a little too loud but I let myself enjoy the experience. I may not sing very well but I do have some powerful lungs. *smile*

This got the hamsters spinning the wheel in my head. The power of the Rune was intensified by breath and sound, the same way that I empower the Reiki symbols (Cho Ku Rei, etc).

With Reiki symbols I use the following technique.

Reiki Gong: Technique’s in Reiki Practice

(Previously mentioned in the entry, Reiki-Gong).

Practice with Cho Ku Rei

As with the Violet Breath exercise, tongue to top of mouth, breath in circularly. Allow the energy to flow through nose and down the energetic paths of the chakra. Instead of cycling the energy down through the root chakra and up the back of the spine, breath it into your second chakra, just below or about your navel. Fill that area up with the energy, a golden light.

Next we will draw the symbol.

Draw the golden light up from this Chakra, our center, and out the arms to the palms of the hands and with your dominant hand, draw the Reiki Symbol, in this case the Choku Rei. Imagine it as a golden symbol. The seven and the spiral.

Place this symbol into that which you are sending Reiki. Hold the symbol as if you were holding a dish, about the size of a dinner place and gently feel it descend into the client or object. Gently move it about until you feel some resistance. Gently push into that resistance until you feel it “click” into place.

Vibrate the CKR name three times. Say it aloud, draw it out, vibrate the name. Three times. Place your hands on the recipient / object and pass Reiki.

When you feel the Reiki complete, when the energy ebbs, gently withdraw the symbol and bring it back to your center, just around or below the naval and put the golden energy back into this place. Take your hands, palms flat to leave the hand chakras open, and push the symbol in. Breath into this center a few times.

Check out your results. Was it different? How?

I’ve practiced with this new technique on the three traditional Reiki Symbols. I have drawn the symbol large enough to fit a room and gently clicked it into place and vibrated the name and sat with the energy. I have used it on myself, on the crystal grid that surrounds my home and even in distance healing. For myself I’ve been pleasantly surprised each time at home much more effective the energy seems to flow.
Notes:

Why the center, the 2nd Chakra?

Because this is our Ki, our energy that we are using to draw a path, a channel for the Reiki energy to enter. Think of it like a straw or a catch for the Reiki energy.

Why do we lock it into place?

We do this because it sets a focal point for the symbol to recieve the energy. Drawing the Life Force Energy into place and purpose. Where it is needed and the effect of the symbol.

Why do we withdraw the symbol?

Because the gold light is our ki. It has been infused with Reiki and it will continue to empower your Reiki center over time. Consider this spot below the navel, the 2nd chakra, like a well of personal energy. it is replenished by the Reiki with each use. The more you practice this form of Reiki the stronger that center becomes.

Let me know your results. Try the SHK and the HSZSN as well.

If you are interested in that particular form of Reiki practice or would like to read more, visit the entry on Reiki Gong for more info and a link to the book / author who I learned the technique from.

I’m thinking that the next 8 weeks of class will be a whole lot of fun. I’m also feeling that my magickal practice just expanded in a new way and all it took was a big breath and a strong vibe.

Until next week.

– – –
Be well,

Scott K Smith
http://lifencompass.com

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Subscribe via RSS. Leave a comment, those are always appreciated. Submit something for posting, topics and ideas are welcome.
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If you are just joining me in these posts you can catch up on the chapter-by-chapter book review of Awakening to the spirit world through these posts:

Chapter 8: Working with Sound and Light

Welcome back. First I want to say that I did finish the project from Chapter 6, Dreaming: The Dream Circle. It is a painting, created to safely access the World of Dream. It was a work in progress and I will post a few photos this weekend so that you can get a better look at it. The Dream Circle will be part of the evolving body of work that I had planned for the collaborative show in August… which is “evolving” on its own and becoming a bit more than I had anticipated. Anyway, as I said, details are to come.

This chapter is about Sound and Light. I assumed that sound would come along eventually as sound, ceremony, and ritual are generally brought together for altering our state of consciousness, bringing people together into a group mind or energy field, and to call in the helping forces and spirits that one wold need. These are a few of the ways in which sound compliments healing or magickal work.

The chapter begins with historical and cultural stories of first sounds and sound healing deities and then moves into topics like:

  • Drumming and Healing
  • Gods of the Harp
  • Power Songs, and finding your power song
  • Singing and Healing Patterns

Tom Cowan, in the Gods of the Harp part, writes:

“This is keeping with other cultures that we see the universe as something vibrational or something created by a voice, song or sacred word.

In an old Irish myth, the goddess Boann (later her name become Boyne, on of Ireland’s sacred rivers) gives birth to three sons who become harpers. As each son is born, Boann’s husband, Uainthe, plays music on his harp to accompany her experience. The first birth is difficult, so he plays a lament or song of sorrow; the second birth is joyful because she realizes she is having another child, so he plays a happy tune; and she falls asleep during the third delivery because she is tired, so he plays a lullaby. When the boys become harpers, each specializes in the type of music he heard when he came into the world. I think of them as the gods of the harp.

(Later) …A simple way to  use this matrix for healing is to hum these three strains of music for someone as a kind of prayer. Visualize the person in distress or pain and hum a low tone, then watch the person’s face begin to smile as youmove up a couple of notes on the scale, then see the person in total peace as you move the hum up a coupel more notes (C, E, and G work well). This can be done in one slow breath as you exhale. Then keep repeating this as a kind of breathing-humming meditaiton for several minutes in which ou send out healing with your breaths and intentions. Not surprisingly, you’ll find that this brings you too into a wonderful state of peace”

~Tom Cowan, Awakening to Shamanism, Pgs 162-163

Although I personally find the harp relaxing, I find the toning to be an interesting of simple sound therapy. I don’t know much about toning or sound therapy as a medium for healing, I have benefited from experience.

My friend Jamie Bechtold is a great Sound Therapist and recently performed at the Eagle Rock Center for the Arts, during the Autumn, Spring, and Summer Equinox’s. Three powerful planetary gongs accompanied by four crystal singing bowls, and two sound healers. Phenomenal!

I attended the Spring Equinox Sound Bath among revelers, and friends old and new. Initially the sound was overwhelming. I don’t to say it was scary or distracting but the power of the gongs and bowls are overwhelming. It is a “bath” of sound. The beat, pulse, and vibration took me deep, and then into a state of release, before brining me back to (that moments’) present. The only other time I can think that I have experienced something like this was with drumming.

Back in 199*mumble* I attended a small circle in San Francisco. We all had various instruments and I, a small hand held drum. I was nervous about the chanting and drumming because I am a perfectionist about certain things and I didn’t feel that my voice was very harmonious… and I think the last time I had played on a drum, I was five. Irregardless I joined along with the drumming, and kept my chanting to myself. Somewhere in the rhythm we were generating, us four, I got lost. I’m not sure where but I had one of these fall into the ecstatic states. I can recall plains tribes, being an old woman with a long life and a deep sorrow, singing a song for those who had passed.

No wait, I did sing it. I not only sang it but I took the lead in the circle and sort of dominated it with this painful song. I was a little embarrassed but the people I was drumming with, after a moment of shock (which makes me laugh at this point) were pretty supportive.

Sound has a profound and amazing effect on many things, not just me. 🙂

This section continues into something entirely interesting, which I want to call weaving tapestries of sound and light, but it isn’t really an exercise. There are exercises in the chapter to explore the world of sound in making song and working with the “song” of things. One exercise helps us to find the song of a plant. Jose Stevens worked with the Shipibo and their use of healing through song. This is where I draw the feeling of tapestries of sound and light.

“According to the Shipibo, everyone has a song, everyone can sing, and Spirit gives  everyone song upon request. All that matters is that you are willing to sing.”

~Page 166

You’ll need to pick up a copy for his full telling of the Shipibo’s use of song in mystical work, it’s fascinating stuff!

Though you may  not sing or use song in your work, you can use music to find altered states, to accompany your journey. There are albums created for healing, dream, and shamanic work (and more) that you can find to work with. These may or may not be healing songs, but they can provide stepping stones into the world of sound and singing.

(Dead Can Dance is one group of artists that can quickly take me into altered states and I often use them for meditation, sessions, and magickal work).

Personally I recommend finding a rattle, drum, or other hand held instrument that you can use at home. Try some rhythms, find what feels right. It shouldn’t be complex. State your intent and begin to make music with the intent as the meaning of the sound. When you are comfortable with that level of work, trying sining along. It may or may not have words that make sense, it doesn’t need to vocally make “sense”. In moments I’ve found that just singing the language that comes to me can be a powerful thing in cleansing the house, calling in helpful spirits, or vibrating the energy that we wish to bring into the space we are working in.

The later part of the chapter begins to focus on light. Not the light of the Sun, or color therapy, but the light of spirit, the white light, and the light of our spirits.

  • Working With Stones of Light
  • Working With Light
  • Exercise: Transfiguration
  • The Human Spirit
  • Maintaining A Spiritual State
  • A Journey To A Descendant

If you are reading along and you have or are working with the “Transfiguration” exercise I would love to hear about your experience(s). This process involves using the Light to shift, or transform parts of self, illness, or thoughts (for example) into lighter forms of being. Imagine shifting a stagnant form that you find within your journey work that is stuck in pain, in the past, or in the type of darkness that does not serve us.

We’re coming into the three final chapters of Awakening to the Spirit World, The Shamanic Path of Direct Revelation. As I wind down I’m going to begin to incorporate more of the experiences and lessons from The Temple of Shamanic Witchcraft, Christopher Penczak, to continue the work.  I hope that you will join me.

Until then, enjoy the Journey.

– – –
Be well,

Scott K Smith
http://lifencompass.com

Want to support Lifencompass?
Subscribe via RSS. Leave a comment, those are always appreciated. Submit something for posting, topics and ideas are welcome.

I hope to see you there!

Center for the Arts, Eagle Rock.

Celebrate spring with an evening of transforming tones. You will be “bathed” in the frequencies of planetary gongs and crystal singing bowls while you sit (or lie) back and relax.

The gongs and bowls sound absolutely amazing in this location and we only play here 4 times a year so don’t miss out! RSVP recommended but not required. Doors open at 7pm, concert begins at 7:30 and lasts about an hour, and you’ll have some grounding time afterwards. See you there!

You can also RSVP via Facebook: http://www.facebook.com/event.php?eid=341798645655&ref=ts

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